Chair:
Stephen Marino, St. Francis College, Editor of the Arthur Miller Journal
1.
Jane K. Dominik, San Joaquin Delta College.
“From Stage to Page: Re-conceptualizing the Play”
2.
Garin Cycholl, University of Chicago.
“‘The Peculiar Immediacy of Image’: On the Disintegration of Forms
in The Misfits.”
3.
Marla Britton-Johnson, Texas Tech University.
“The Chasm Between History and Character: On the Aufseherinnen of
Playing for Time.”
4.
C. Ryan Knight, Randolph Community College.
“Administrative Evil in Arthur Miller’s Plays.”
Panel two: "Perspectives on Willy
Loman"
Chair:
Susan C. W. Abbotson, Rhode Island College, President of the Arthur
Miller Society
1.
Lewis Livesay, Saint Peter’s University
“Miller’s Tragic Vision and the Phenomenology of Shame.”
2.
Susan Harris Smith, University of Pittsburgh.
“Who Was/Is/Are Willy Loman?
3.
Janet Balakian, Kean University.
“Teaching Death of a Salesman
in 2013.”
Round Table:
"The Theater of Engagement: Arthur
Miller and the Contemporary Mind"
Arthur Miller Society joined with five
other drama societies in
focusing on the theme of “Theater of Engagement: The American Theatre
and Drama Society; The Susan Glaspell Society; The Eugene O’Neill
Society; The Thornton Wilder Society; The August Wilson Society. Arthur
Miller Society was represented by Joshua Polster, Emerson College.
• On
May
22-25, 2014, Washington, DC.
Panel one: "Arthur
Miller and Literary
Influences"
Chair: Stephen
Marino, St. Francis College
1. David Palmer, Massachusetts Maritime Academy. “Miller’s Morality and
O’Neill’s
Despair.”
2. Lew Livesay, Saint Peter’s University. “Arthur Miller’s Self-Other
Conflict
and the Influence of Ibsenesque Temporality in The Ride Down Mt.
Morgan.”
Panel two: "The
Owl and the Pussycat:
The Influence of Marilyn Monroe on Arthur Miller"
Video followed by respondents and a
moderated discussion
Moderator: George
Castellitto, Felician College
Respondents:
Stephen Marino, St. Francis College
David Palmer,
Massachusetts Maritime Academy
• On
May
22-25, 2015, Boston, MA
Panel one: "Arthur Miller at 100: Centennial Reflections on His Life and Work"
Chair: Joshua Polster, Emerson College
1. Lewis Livesay, Saint Peter’s University. “Memory and the American Cultural Unconscious in Arthur Miller’s The Price.”
2. Rosemary Malague, University of Pennsylvania. “Attention Must Be Paid: Staging Linda Loman in the 21st Century.”
3. Stephen Marino, St. Francis College and the Arthur Miller Journal. “Willy Loman and the Walking Dead.”
Panel two: Making Willy Loman Real: A Round-Table Discussion of Death of a Salesman in Performance
Moderator: David Palmer, Massachusetts Maritime Academy
A presentation by Dr. Abbotson on major past productions and
interpretations, and then a focus on the vision of the play in the
critically acclaimed production at Boston's Lyric Stage Company in the
winter of 2014 with the Director and lead actors. Panel consists of:
* Susan C. W. Abbotson, Rhode Island College
* Ken Baltin, Actor (Willy Loman)
* Paula Plum, Actor (Linda Loman)
* Spiro Veloudos, Lyric Stage Company of Boston (Director of Death of a Salesman)