Bibliography of Woolf Studies Published in 1999 (in progress)

The following is a working compilation of scholarship on Virginia Woolf published in 1999.  It is produced and maintained for The International Virginia Woolf Society , with the cooperation of MetaLab at the University of North Carolina-Chapel Hill.  My sources include various electronic data bases plus information provided by friends of Woolf everywhere. I make no claims to be exhaustive, but I do try to be comprehensive. (Apologies for the lack of consistency in accent marks; the whimsies of electronic reproduction are to blame.) If you have items to add, or corrections to offer, please send them to me, sally@metalab.unc.edu.  Or mail them to me at 406 Morgan Creek Drive, Chapel Hill, North Carolina, USA, 27514.

                                                                                    --Sally Greene, bibliographer/historian, International Virginia Woolf Society

Bibliographies from 1996, 1997, and 1998 are also available.  And check out the "passing glances" to Woolf as well.

Special issues or volumes

Woolf Studies Annual, vol. 5, edited by Mark Hussey for Pace University Press.  Individual essays are indexed below.

The Virginia Woolf Miscellany no. 53 (Spring 1999), edited by Lucio Ruotolo, returns to its roots: a miscellaneous issue. No. 54 (Fall 1999), edited by Patricia Laurence, is on the theme of "Woolf in/on Translation."  Individual essays are indexed below.

Virginia Woolf and Communities: Selected Papers from the Eighth Annual Conference on Virginia Woolf.  Edited by Jeanette McVicker and Laura Davis for Pace University Press. Individual essays are indexed below.

A special issue of Women's Studies: An Interdisciplinary Journal, "Virginia Woolf in Performance," edited by Sally Greene, appeared in August.  Individual essays are indexed below.

The Virginia Woolf Review no. 16, published by the Virginia Woolf Society of Japan, is indexed below.

Multimedia

"Vita and Virginia," by Eileen Atkins, was performed as a "Bravo Production" of the Glasshouse Theatre Company, in Paris, at the Petit Hebertot, 78 bis Bd. des Batignolles, from July 22 to September 18.

Other items of special note

The first issue of the Virginia  Woolf Bulletin of the Virginia Woolf Society of Great Britain was published in January.  Included are three "new" writings by Woolf.  One is a draft titled "A Scene from the Past," which is a version of the story published posthumously as "The Searchlight" (A Haunted House, 1944); the other two are letters, one to E. McKnight Kauffer, an American graphic designer whose work included book jackets for the Hogarth Press, and one to Victoria Ocampo after Ocampo had arranged for Gisele Freund to conduct a photo session of Woolf in London.  Individual entries are indexed below.

*The second issue of the Virginia Woolf Bulletin was published in July.  It includes more "new" letters of Woolf's; these are to Austrian Jewish refugees Mela and Robert Spira.  This issue also introduces (at 52-53) the feature "Virginia Woolf Today," which seeks to collect contemporary journalistic (and other media) references to Woolf. (Cf. the "periodicals" portion of "passing glances.") Individual entries are indexed below.  (The Society's next issue will be in January 2000, and it plans to produce three issues in 2000.)

*Of further note in the Virginia Woolf Bulletin 1 no. 2 (at 28-31):  addenda to A Bibliography of Virginia Woolf, 4th ed., ed. B.J. Kirkpatrick and Stuart N. Clarke.  Kirkpatrick notes an additional TLS essay (April 26, 1907; reviewing The Call of the East); and Clarke notes a number of Portuguese translations.

The Shakespeare Head edition of Flush (1933), edited by Elizabeth Steele, is out from Blackwell of London.

*Brenda Silver's Virginia Woolf Icon is out from Chicago.  According to the Library Journal, "Edward Albee asked but nobody, until now, really answered the question 'Who's afraid of Virginia Woolf?' Silver offers up a response: we all are, sort of, she says. Sure, Barnes and Noble's got her likeness silkscreened onto a couple million canvas bags, and the British National Portrait Gallery sells thousands of Woolf postcards a month. Still, Silver argues, her face and her name were associated with fear long before and long after Albee titled his play. And as a result, Woolf is a useful guide for cultural critics: the fears we've ascribed to her tell us a lot about our own fears--about gender, race, feminism art, politics, anger, fashion . . . and, of course, death."

*Elaine Showalter has come out with a "revised and expanded" paperback edition of her landmark work A Literature of Their Own. "Contains a new introductory chapter surveying the book's reception and a new postscript chapter celebrating the legacy of feminism and feminist criticism," according to Princeton, publisher.

*Michele Barrett's Imagination in Theory: Culture, Writing, Words, and Things includes two chapters specifically on Woolf:  "Virginia Woolf: Subjectivity and Politics" and "Virginia Woolf Meets Michel Foucault"--the latter being "a virtuoso encounter," according to Gayatri Chakravorty Spivak.

Tony Bradshaw, head of the Bloomsbury Workshop, in London, has brought to fruition a project to interest all who appreciate the physical artifact of Woolf's books and the other products of the Hogarth Press. He has gathered lithographs, woodcuts, etchings, posters, book jackets, book covers, illustrations for books--all "executed by Vanessa Bell, Dora Carrington, Roger Fry, and Duncan Grant and published in their lifetimes." This exhibition of rare treasures, "an important event for all those interested in the creativity and diversity of the Bloomsbury artists," was shown at the Bloomsbury Workshop from June 1 through August 20, 1999. In connection with the exhibition, Scolar Press has published The Bloomsbury Artists:  Prints and Book Design, a catalogue by Tony Bradshaw, with introduction by James Beechey and foreword by Angelica Garnett.

*Women Writers of the 1930s: Gender, Politics, and History, edited by Maroula Joannnou (Edinburgh), contains three essays directly relevant to Woolf (by Bradshaw, Gualtieri, and Peach, indexed below), in addition to being generally helpful to an understanding of Woolf's life and work in the thirties.

Virginia Woolf: Reading the Renaissance,edited by Sally Greene, is out from Ohio University Press.  Individual entries are indexed below. Building on Alice Fox's work as well as on more recent insights in Renaissance theory and feminism, this is the first collection of essays to explore Woolf's Renaissance. As such it reflects an important interdisciplinary development: contributors include Renaissance as well as twentieth-century specialists.

Remembered Rapture: The Writer at Work (Henry Holt), bell hooks's most recent book, is indebted to Woolf in various ways, beginning with the epigraph and extending to a chapter in which she finds parallel narrative threads in A Room of One's Own and Zora Neale Hurston's Their Eyes Were Watching God.

*Frances Spalding's biography of Roger Fry, Roger Fry: Art and Life, first published in 1980, is reissued in paperback by Black Dog Books.

*John Lehmann's 1975 Virginia Woolf and Her World is brought out again by Thames and Hudson as Virginia Woolf.

Craufurd D. Goodwin has edited and interpreted Roger Fry's theories of art and economics in Art and the Market: Roger Fry on Commerce in Art, published by the University of Michigan Press.  "Goodwin adds significantly to the understanding of cultural economics in the work of Fry himself as well as J. M. Keynes and even Leonard and Virginia Woolf," writes S. P. Rosenbaum.

*Robert L. Caserio's The Novel in England, 1900-1950 treats Woolf as a modernist who furthered the notion that modernism itself represented a "'purist break with history'" by "resist[ing] the political views of other modernists."  His most extensive discussion of any Woolf work is on The Years.

*Woolf is an unlikely but fruitful subject within Laurie Langbauer's Novels of Everyday Life: The Series in English Fiction, 1850-1930 (Cornell).  "Even though Woolf may have spent her writing career searching for a new form with which to capture the intricacies of shifting and unstable identity, the shadow of the (supposedly Victorian) series remains in her own depiction of recurrent characters," Langbauer writes.

Robin Lippincott's novel Mr. Dalloway is out from Sarabande Books.  An excerpt was published in Virginia Woolf and Her Influences: Selected Papers from the Seventh Annual Conference on Virginia Woolf (1998).

Martha Nussbaum, most recently noted for her attack on Judith Butler in The New Republic, devotes a chapter of Sex and Social Justice (Oxford) to To the Lighthouse.

The Bloomsbury Heritage Series, edited by Jean Moorcroft Wilson for Cecil Woolf Publishers, has published 3 monographs in 1999:

                   *Peering Through the Escallonia:Virginia Woolf, Talland House, and St. Ives, by Marion Dell

                   *Monarchy, by Leonard Woolf, edited with an introduction by Wayne K. Chapman

                   *Roger Fry's Durbins:  A House and its Meanings, by Christopher Reed

For information on how to purchase these, write Cecil Woolf Publishers, 1 Mornington Place, London NW1 7RP; telephone/facsimile, 0171 387 2394.

NOTE: Items marked with an asterisk  (above and below) have been added since the hard copy of the bibliography was last distributed to members of the International Virginia Woolf Society.

Books

*Barrett, Michele.  Imagination in Theory: Culture, Writing, Words, and Things.  New York: NYU Press, 1999.  (See headnote above.)

Bradshaw, Tony. The Bloomsbury Artists: Prints and Book Design. Aldershot, U.K.: Scolar Press, 1999.

*Caserio, Robert L.  The Novel in England, 1900-1950: History and Theory. New York: Twayne, 1999.  (See headnote above.)

*Caws, Mary Ann, and Sarah Bird.  Bloomsbury and France: Art and Friends.  New York: Oxford Univ. Press. 1999.

*Chapman, Wayne K, ed.  Monarchy.  By Leonard Woolf.  London: Cecil Woolf [Bloomsbury Heritage], 1999.

*Dell, Marion.  Peering Through the Escallonia: Virginia Woolf, Talland House, and St. Ives.  London: Cecil Woolf [Bloomsbury Heritage], 1999.

Fand, Roxanne J.  The Dialogic Self: Reconstructing Subjectivity in Woolf, Lessing, and Atwood.  Selinsgrove, Pa.: Susquehanna Univ. Press, 1999.

Glenny, Alison.  Ravenous Identity: The Influence of Anorexic Patterns of Thinking on the Treatment of Food in Virginia Woolf's  Fiction.Basingstoke: Macmillan, 1999.

Goodwin, Craufurd, ed.  Art and the Market: Roger Fry on Commerce in Art.  With a foreword by Asa Briggs.  Ann Arbor: Univ. of Michigan Press, 1999.

Greene, Sally, ed.  Virginia Woolf: Reading the Renaissance.  Athens: Ohio Univ. Press, 1999.  (See headnote above.)

*Gualtieri, Elena.  Virginia Woolf's Essays: Sketching the Past.  Basingstroke: Macmillan, 1999.

Heilbrun, Carolyn.  Women's Lives: The View from the Threshold. Toronto: Univ. of Toronto Press, 1999. (Considers Woolf along with George Eliot, Willa Cather, and Harriet Beecher Stowe.)

*Joannou, Maroula, ed.  Women Writers of the 1930s: Gender, Politics, and History.  Edinburgh: Edinburgh Univ. Press, 1999.  (See headnote above.)

*Langbauer, Laurie.  Novels of Everyday Life: The Series in English FIction, 1850-1930.  Ithaca: Cornell Univ. Press, 1999.  (See esp. ch. 4; also see headnote above.)

*Lehmann, John. Virginia Woolf.  New York: Thames and Hudson, 1999.  (See headnote above.)

Levenback, Karen.  Virginia Woolf and the Great War.  Syracuse: Syracuse Univ. Press, 1999.

Lilienfeld, Jane.  Reading Alcoholisms: Theorizing Character and Narrative in Selected Novelsof Thomas Hardy, James Joyce, and Virginia Woolf.  New York: St. Martin's, 1999.

McVicker, Jeanette, and Laura Davis, eds.  Virginia Woolf and Communities: Selected Papers from the Eighth Annual Conference on Virginia Woolf.  New York: Pace Univ. Press, 1999.

*Peach, Linden.  Virginia Woolf.  New York: St. Martin's, 1999.

*Reed, Christopher.  Roger Fry's Durbins: A House and its Meanings.  London: Cecil Woolf [Bloomsbury Heritage], 1999.

Rogge-Wiest, Gudrun. Wahrnehmung und Perspektivik in ausgewahlten Romanen Virginia Woolfs. Frankfurt am Main: Peter Lang, 1999.

Rudikoff, Sonya.  Ancestral Houses: Virginia Woolf and the Aristocracy.  Palo Alto, Calif.: Society for the Promotion of Science and Scholarship, 1999.

*Showalter, Elaine. A Literature of Their Own: Britiwh Women Novelists from Bronte to Lessing.  Princeton: Princeton Univ. Press, 1999. (An expanded edition of the 1977 work.)

*Silver, Brenda. Virginia Woolf Icon.  Chicago: Univ. of Chicago, 1999.  (See headnote above.)

Smith, Angela.  Katherine Mansfield and Virginia Woolf: A Public of Two.  Oxford: Clarendon Press, 1999.

*Spalding, Frances.  Roger Fry: Art and Life.  Black Dog Books, 1999.  (See headnote above.)

Sumner, Rosemary.  A Route to Modernism: Hardy, Lawrence, Woolf.  New York: St. Martin's, 1999.

Todd, Pamela.  Bloomsbury at Home.  New York: Abrams, 1999.  ("A beautifully illustrated behind the scenes look at the domestic life of the Bloomsbury set in London, the country, and in Europe.")
 

Journal articles, book chapters, and notes

Abbott, Reginald.  "Rough with Rubies: Virginia Woolf and the Virgin Queen."  In Virginia Woolf: Reading the Renaissance, ed. Sally Greene, 65-88.  Athens: Ohio Univ. Press, 1999.

*Alfsen, Merete.  "'Putting Words on the Backs of Rhythm': Translating Woolf."  Virginia Woolf Bulletin 1, no. 2 (1999): 32-36.

Allan, Tuzyline Jita.  "Civilization, Its Pretexts, and Virginia Woolf's Imagination."  In Virginia Woolf and Communities: Selected Papers from the Eighth Annual Conference on Virginia Woolf, ed. Jeanette McVicker and Laura Davis, 117-__.  New York: Pace Univ. Press, 1999.

Allen, Judith.  "The Rhetoric of Performance in A Room of One's Own."  In Virginia Woolf and Communities: Selected Papers from the Eighth Annual Conference on Virginia Woolf, ed. Jeanette McVicker and Laura Davis, 289-96.  New York: Pace Univ. Press, 1999.

Anspaugh, Kelly.  "Circe Resartus: To the Lighthouse and William Browne of Tavistock's Circe and Ulysses Masque."  In Virginia Woolf: Reading the Renaissance, ed. Sally Greene, 161-91.  Athens: Ohio Univ. Press, 1999.

Ayuso, Monica.  "Thinking Back Through Our Mothers: Virginia Woolf in the Spanish-American Female Imagination."  In Virginia Woolf and Communities: Selected Papers form the Eighth Annual Conference on Virginia Woolf, ed. Jeanette McVicker and Laura Davis, 97-102. New York: Pace Univ. Press, 1999.

*Banks, Joanne Trautmann.  "The Aging Artist: The Sad but Instructive Case of Virginia Woolf."  In Aging and Identity: A Humanities Perspective, ed. Sara Munson Deats and Lagretta Tallent Lenker, 115-25.  Westport, Conn.:  Praeger, 1999.

*Barkway, Stephen.  "Two of Me Now--Sylvia Plath and Virginia Woolf." Virginia Woolf Bulletin 1, no. 2 (1999): 73-72.  (A report on a day course taught by Susan Richardson at Cardiff Univfersity.)

___.  "Virginia Woolf's Blurbs."  Virginia Woolf Bulletin 1, no. 1 (1999): 43.

___.  "Welcome to Members."  Virginia Woolf Bulletin 1, no. 1 (1999): 3.

*___.  "Vita/Virginia/Orlando/Knole."  Virginia Woolf Bulletin 1, no. 2 (1999): 72-73.  (A report on a talk by Nigel Nicolson.)

*Bartkevicius, Jocelyn.  "Thinking Back through Our (Naturalist) Mother: Woolf, Dillard, and the Nature Essay."   Isle: Interdisciplinary Studies in Literature and Environment 6, no. 1 (Winter 1999): 41-50.  (Compares Woolf's "The Sun and the Fish" with Dillard's "Total Eclipse.")

*Bazargan, Susan.  "The Uses of the Land:  Vita Sackville-West's Pastoral Writing and Virginia Woolf's Orlando."  Woolf Studies Annual 5 (1999):  25-55.

Bedford, Sue.  "Taking Over Talland House."  Virginia Woolf Bulletin 1, no. 1 (1999): 41-42.

Behringer, Ursula.  "'We Are Walking to the Strand to Buy a Pencil.'" Virginia Woolf Bulletin 1, no. 1 (1999): 31.

Bellamy, Suzanne.  "Imagining the Muse."  In Virginia Woolf and Communities: Selected Papers from the Eighth Annual Conference on Virginia Woolf, ed. Jeanette McVicker and Laura Davis, 194-200. New York: Pace Univ. Press, 1999.

Benstock, Shari, Morris Beja, and Bonnie Kime Scott.  "Filming the Left Bank" (on the film Paris Was a Woman).  In Virginia Woolf and Communities: Selected Papers from the Eighth Annual Conference on Virginia Woolf, ed. Jeanette McVicker and Laura Davis, 282-88.  New York: Pace Univ. Press, 1999.

*Bivar, Antonio.  "As if Virginia Woolf Were a Great Brazilian Writer . . . ."  Virginia Woolf Miscellany 54 (Fall 1999): 2.

*Blodgett, Harriet.  "From Jacob's Room to A Passage to India:  A Note."  ANQ:  A Quarterly Journal of Short Articles, Notes, and Reviews 12, no. 4 (1999):  23-24.

Bowlby, Rachel.  "Meet Me In St. Louis: Virginia Woolf and Community."  In Virginia Woolf and Communities: Selected Papers from the Eighth Annual Conference on Virginia Woolf, ed. Jeanette McVicker and Laura Davis, 147-60.  New York: Pace Univ. Press, 1999.

*Boxwell, D.A.  "In the Urinal: Virginia Woolf Around Gay Men." In Virginia Woolf and Communities: Selected Papers from the Eighth Annual Conference on Virginia Woolf, ed. Jeanette Mcvicker and Laura Davis, 173-78.  New York: Pace Univ. Press, 1999.

*Bradshaw, David.  "Hyams Place: The Years, the Jews and the British Union of Fascists."  In Women Writers of the 1930s: Gender, Politics, and History, ed. Maroula Joannou, 179-91.  Edinburgh: Edinburgh Univ. Press, 1999.

Briggs, Marlene.  "Veterans and Civilians: Traumatic Knowledge and Cultural Appropriation in Mrs. Dalloway." In Virginia Woolf and Communities: Selected Papers from the Eighth Annual Conference on Virginia Woolf, ed. Jeanette McVicker and Laura Davis, 43-49.  New York: Pace Univ. Press, 1999.

*Brown, Bill.  "The Secret Life of Things (Virginia Woolf and the Matter of Modernism.)"  Modernism/Modernity 6, no. 2 (1999):  1-28.  (Considers especially "Solid Objects.")

Burford, Arianne.  "Communities of Silence and Music in Virginia Woolf's The Waves and Dorothy Richardson's Pilgrimage."  In Virginia Woolf and Communities: Selected Papers from the Eighth Annual Conference on Virginia Woolf, ed. Jeanette McVicker and Laura Davis, 269-75.  New York: Pace Univ. Press, 1999.

*Caws, Mary Ann.  "Hauntings: French Translations of Woolf's Short Stories."  Virginia Woolf Miscellany 54 (Fall 1999): 2-3.

Channer, Vanessa.  "Virginia Woolf and Eccentricity--A Way of Life, or Just a 'Moment of Being'?"  Virginia Woolf Bulletin 1, no. 1 (1999): 28-31.

*___.  "Vita and Virginia, Adapted by Eileen Atkins from the Correspondence between Virginia Woolf and Vita Sackville-West." Virginia Woolf Bulletin 1, no. 2 (1999): 79-81.  (A report on the Sphinx Theatre Company's performance of Vita & Virginia, at the Palace Theatre Watford.)

Cherry, Pauline.  "Virginia Woolf and Rodmell: A Denizen's View." Virginia Woolf Bulletin 1, no. 1 (1999): 39-40.

Clarke, Stuart N.  Editorial.  Virginia Woolf Bulletin 1, no. 1 (1999): 4-5.

*___.  Editorial.  Virginia Woolf Bulletin 1, no. 2 (1999): 3.

*___.  "Hyde Park Gate in 1894."  Virginia Woolf Bulletin 1, no. 2 (1999): 46-47.

*___.  Note.  Virginia Woolf Bulletin 1, no. 2 (1999): 12.  (Accompanying the publication of letters from Woolf to Mela and Robert Spira; see headnote above.)

*___.  "Point of View in 'Mrs. Dalloway in Bond Street.'" Virginia Woolf Bulletin 1, no. 2 (1999):  18-21.

*___.  "Smith College."  Virginia Woolf Bulletin 1, no. 2 (1999): 21.  (Note on Smith College's acquisition of the Bloomsbury collection of the late Elizabeth P. Richardson [A Bloomsbury Iconography, 1989].)

*___.  "Virginia Woolf and the Body."  Virginia Woolf Bulletin 1, no. 2 (1999): 75-77.  (A report on a one-day conference at Oxford on "Virginia Woolf and the Body.")

___.  "Virginia Woolf: Her Reception in Europe."  Virginia Woolf Bulletin 1, no. 1 (1999): 58-60.  (A report on a one-day colloquium at the Centre for English Studies, Univeristy of London.)

*Crick, Joyce.  "The German Reception of Virginia Woolf: Post-1970s." Virginia Woolf MIscellany 54 (Fall 1999): 4-5.

*Cunningham, Michael.  "Joseph Cornell."  ArtForum 37 no. 8 (April 1999):  108-09.  (Finds parallels between the works of Cornell and Woolf.)

*Cusin, Michel.  "On Translating The Waves into French." Virginia Woolf Miscellany 54 (Fall 1999): 3-4.

*Dally, Peter.  Virginia Woolf: The Marriage of Heaven and Hell.  London: Robson Books, 1999.

Daugherty, Beth Rigel.  "Learning Virginia Woolf: Of Leslie, Libraries, and Letters."  In Virginia Woolf and Communities: Selected Papers from the Eighth Annual Conference on Virginia Woolf, ed. Jeanette McVicker and Laura Davis, 10-17.  New York: Pace Univ. Press, 1999.

___.

*de Gay, Jane.  "Beyond the Purple Triangle:  Art and Iconography in To the Lighthouse."  Woolf Studies Annual 5 (1999):  1-23.

DeHay, Terry.  "Gathering Around the Punch Bowl: Woolf's Alternative Narrative Communities."  In Virginia Woolf and Communities: Selected Papers from the Eighth Annual Conference on Virginia Woolf, ed. Jeanette McVicker and Laura Davis, 178-87.  New York: Pace Univ. Press, 1999.

DeKoven, Marianne.  "The Community of Audience: Woolf's Drama of Public Woman."  In Virginia Woolf and Communities: Selected Papers from the Eighth Annual Conference on Virginia Woolf, ed. Jeanette McVicker and Laura Davis, 234-51.  New York: Pace Univ. Press, 1999.

Detloff, Madelyn.  "Imagined Communities of Criticism: 'Wounded Attachments' to the Icons of H.D., Gertrude Stein, and Virginia Woolf."  In Virginia Woolf and Communities: Selected Papers from the Eighth Annual Conference on Virginia Woolf, ed. Jeanette McVicker and Laura Davis, 50-57.

___.  "Thinking Peace into Existence: The Spectacle of History in Between the Acts.Women's Studies 28 (1999): 399-429.

*Feldman, Yael S.  "Woolf in the Promised Land, or: Making Room for Virginia Woolf in Israeli Literature."  Virginia Woolf Miscellany 54 (Fall 1999): 5-6.

Fernald, Anne E.  "The Memory Palace of Virginia Woolf."  In Virginia Woolf: Reading the Renaissance, ed. Sally Greene, 89-114.  Athens: Ohio Univ. Press, 1999.

*Ferriss, Suzanne, and Kathleen Waites.  "Unclothing Gender: The Postmodern Sensibility in Sally Potter's Orlando."  Literature Film Quarterly 27 (1999): 110-15.

Flynn, Deirdre.  "Virginia Woolf's Women and the Fashionable Elite: On Not Fitting In."  In Virginia Woolf and Communities: Selected Papers from the Eighth Annual Conference on Virginia Woolf, ed. Jeanette McVicker and Laura Davis, 167-63.

*Fowler, Rowena.  "Moments and Metamorphoses: Virginia Woolf's Greece."  Comparative Literature 51 (1999): 217-__.

*Garrity, Jane.  "Selling Culture to the 'Civilized':  Bloomsbury, British Vogue, and the Marketing of National Identity."  Modernism/Modernity 6, no. 2 (1999): 29-58.

Gillespie, Diane F.  "Through Woolf's 'I's': Donne and The Waves."  In Virginia Woolf: Reading the Renaissance, ed. Sally Greene, 211-44.  Athens: Ohio Univ. Press, 1999.

Gilmore, Lois.  "Virginia Woolf, Bloomsbury, and the Primitive."  In Virginia Woolf and Communities: Selected Papers from the Eighth Annual Conference on Virginia Woolf, ed. Jeanette McVicker and Laura Davis, 127-35.  New York: Pace Univ. Press, 1999.

*___.  Glassock, Hilary.  "George Humphrey Wolferstan Rylands, 1902-1999."  Virginia Woolf Bulletin 1, no. 2 (1999): 54.

Goldman, Jane.  "Artist and Feminist Communities of 1910: Post-Impressionism, Suffrage Aesthetics, and Intersubjectivity in To the Lighthouse."  In Virginia Woolf and Communities: Selected Papers from the Eighth Annual Conference on Virginia Woolf, ed. Jeanette McVicker and Laura Davis, 259-68.  New York: Pace Univ. Press, 1999.

*Gough, Val.  "'That Razor Edge of Balance':  Virginia Woolf and Mysticism."  Woolf Studies Annual 5 (1999):  57-77.

*Graff, Agnieszka.  "The Polish Woolf."  Virginia Woolf Miscellany 54 (Fall 1999): 5.

Greene, Sally.  "Introduction."  Women's Studies 28 (1999): 349-55.  (Introducing the special issue "Virginia Woolf in Performance.")

___.  "Introduction ." Virginia Woolf: Reading the Renaissance, ed. Sally Greene.  Athens: Ohio Univ. Press, 1999.

___.  "Michelet, Woolf, and the Idea of the Renaissance."  In Virginia Woolf: Reading the Renaissance, ed. Sally Greene, 17-40.  Athens: Ohio Univ. Press, 1999.

*___.  Hall, Sarah M.  "'House of All the Deaths': 22 Hyde Park Gate."  Virginia Woolf Bulletin 1, no. 2 (1999): 42-45.

*Griffin, Robert J.  "Anonymity and Authorship."  New Literary History 30 (1999): 877-__.  (Examines works by Woolf and E.M. Forster.)

*Gualtieri, Elena.  "Three Guineas and the Photograph: The Art of Propaganda."  In Women Writers of the 1930s: Gender, Politics, and History, ed. Maroula Joannou, 165-78.  Edinburgh: Edinburgh Univ. Press, 1999.

*Gualtieri-Reed, Elizabeth J.  "Mrs. Dalloway: Revising Religion."  Centennial Review 43 (1999): 205-25.

Hankins, Leslie Kathleen.  "'Colour Burning on a Framework of Steel': Virginia Woolf, Marleen Gorris, Eileen Atkins, and Mrs. Dalloway(s)." Women's Studies 28 (1999): 365-73.

Harzewski, Stephanie.  "Hypertext as Metaphor: Reading Woolf in the Electronic Age."  In Virginia Woolf and Communities: Selected Papers from the Eighth Annual Conference on Virginia Woolf, ed. Jeanette McVicker and Laura Davis, 227-33.  New York: Pace Univ. Press, 1999.

Henderson, Diana E.  "Rewriting Family Ties: Woolf's Renaissance Romance."  In Virginia Woolf: Reading the Renaissance, ed. Sally Greene, 136-60.  Athens: Ohio Univ. Press, 1999.  (Considers Mrs. Dalloway and Cymbeline.)

*Henry, H.  "Eclipse Madness, 1927."  Astronomy and Geophysics 40, no. 4 (1999): 17-19.  (Abstract:  "The media attention on the forthcoming total solar eclipse is nothing new. A similar eclipse 72 years ago brought solar astronomy into the public domain with newspaper reports, cartoon, and tours to the zone of totality. Among the eclipse tourists in 1927 was Virginia Woolf, whose experience of seeing the eclipse subsequently informed both her fiction writing and her aesthetic vision.")

Hoff, Molly.  "Woolf's Mrs. Dalloway."  Explicator 57 (1999): 95-97.

*Hoffman, Michael J., and Ann ter Haar.  "'Whose Books Once Influenced Mine: The Relationship between E.M. Forster's Howards End and Virginia Woolf's The Waves."  Twentieth-Century Literature 45 (1999): 46-64.

*Holden, Kate.  "Formations of Discipline and Manliness: Culture, Politics and 1930s Women's Writing."  Journal of Gender Studies 8 (1999): 141-57.  ("Analyzes the political and cultural aspects of discipline and manliness as evidenced in the 1930s women's writing specifically in the works of Katharine Burdekin, Jean Rhys and Virginia Woolf.")

Holmes, Rachael.  "Identity in 'The Lady in the Looking-Glass: A Reflection.'"  Virginia Woolf Bulletin 1, no. 1 (1999): 25-27.

hooks, bell.  "Zora Neale Hurston: A Subversive Reading."  In Remembered Rapture: The Writer at Work, 173-90.  New York: Henry Holt, 1999.  (Considers A Room of One's Own together with Their Eyes Were Watching God.)

Humm, Maggie.  "Virginia Woolf's Photography." Virginia Woolf Bulletin 1, no. 1 (1999): 19-21.

*Ingram, P.  "'One Drifts Apart': To the Lighthouse as Art of Response."  Philosophy and Literature 23 (1999): 78-95.

Ito, Yuko.  "The Masked Reality in Leonard Woolf's Colonial Writings."  In Virginia Woolf and Communities: Selected Papers from the Eighth Annual Conference on Virginia Woolf, ed. Jeanette McVicker and Laura Davis, 136-41.  New York: Pace Univ. Press, 1999.

Johnston, Georgia.  "Raising Community."  Introduction.  In Virginia Woolf and Communities: Selected Papers from the Eighth Annual Conference on Virginia Woolf, ed. Meanette McVicker and Laura Davis, 1-5.  New York: Pace Univ. Press, 1999.

Kato, Megumi.  "The Politics/Poetics of Motherhood in To the Lighthouse."  In Virginia Woolf and Communities: Selected Papers from the Eighth Annual Conference on Virginia Woolf, ed. Jeanette McVicker and Laura Davis, 102-09.  New York: Pace Univ. Press, 1999.

Knowles, Nancy.  "A Community of Women Looking at Men: The Photographs in Virginia Woolf's Three Guineas."  In Virginia Woolf and Communities: Selected Papers from the Eighth Annual Conference on Virginia Woolf, ed. Jeanette McVicker and Laura Davis, 91-96.  New York: Pace Univ. Press, 1999.

*Knowles, Sebastian D.G.  "Narrative, Death, and Desire:  The Three Senses of Humor in Jacob's Room."  Woolf Studies Annual 5 (1999):  97-112.

*Lackey, Michael.  "Albanians and Armenians: Woolf and the Politics of Intimacy in Mrs. Dalloway."  Explicator 57 (1999): 225-27.

*___.  "The Gender of Atheism in Virginia Woolf's 'A Simple Melody.'" Studies in Short Fiction [forthcoming].

___. "Woolf and the Necessity of Atheism." Virginia Woolf Miscellany 53 (1999): 3-4.

Landon, Lana Hartman, and Laurel Smith.  "A Community of Correspondences: Two Women, Letters, and The Voyage Out."  In Virginia Woolf and Communities: Selected Papers from the Eighth Annual Conference on Virginia Woolf, ed. Jeanette McVicker and Laura Davis, 17-22.  New York: Pace Univ. Press, 1999.

Laroche, Rebecca.  "Laura at the Crossroads: A Room of One's Own and the Elizabethan Sonnet."  In Virginia Woolf: Reading the Renaissance, ed. Sally Greene, 192-210.  Athens: Ohio Univ. Press, 1999.

Laurence, Patricia. "In Memoriam, East and West: Dadie Rylands (1902-1999) and Xiao Qian (1910-1999)." Virginia Woolf Miscellany 53 (Spring 1999): 4-5.

*___.  "Virginia Woolf in/on Translation."  Virginia Woolf Miscellany 54 (Fall 1999): 1-2.

Low, Lisa.  "'Listen and Save': Woolf's Allusion to Comus in Her Revolutionary First Novel."  In Virginia Woolf: Reading the Renaissance, ed. Sally Greene, 117-35.  Athens: Ohio Univ. Press, 1999.

Lounsberry, Barbara.  "Virginia Woolf and the Community of Diarists."  In Virginia Woolf and Communities: Selected Papers from the Eighth Annual Conference on Virginia Woolf, ed. Jeanette McVicker and Laura Davis, 202-11.  New York: Pace Univ. Press, 1999.

Luckhurst, Nicola.  "'To Quote My Quotation from Montaigne.'"  In Virginia Woolf: Reading the Renaissance, ed. Sally Greene, 41-64.  Athens: Ohio Univ. Press, 1999.

*Marotte, Mary Ruth.  "Re-Constructing Femininity in Woolf and Cixous: Awakening the Need to Create."  Publications of the Arkansas Philoloogical Association  25 (1999): 61-72.  (Considers especially To the Lighthouse and A Room of One's Own.)

Martin, Lindsay.  "Wyndham Lewis's Satires on Virginia Woolf." Virginia Woolf  Bulletin 1, no. 1 (1999): 32-35.

McVicker, Jeanette, and Laura Davis.  "Note from the Editors."  In Virginia Woolf and Communities: Selected Papers from the Eighth Annual Conference on Virginia Woolf, ed. Jeanette McVicker and Laura Davis, 6-9. New York: Pace Univ. Press, 1999.

McWhirter, David.  "Woolf, Eliot, and the Elizabethans: The Politics of Modernist Nostalgia."  In Virginia Woolf: Reading the Renaissance, ed. Sally Greene, 245-66.  Athens: Ohio Univ. Press, 1999.

Miles, Kathryn.  "'That Perpetual Marriage of Granite and Rainbow': Searching for 'The New Biography' in Virginia Woolf's Orlando."  In Virginia Woolf and Communities: Selected Papers from the Eighth Annual Conference on Virginia Woolf, ed. Jeanette McVicker and Laura Davis, 212-18.  New York: Pace Univ. Press, 1999.

Mimlitsch, Michelle.  "Powers of Horror and Peace: Abjection and Community in Virginia Woolf's Between the Acts."  In Virginia Woolf and Communities: Selected Papers from the Eighth Annual Conference on Virginia Woolf, ed. Jeanette McVicker and Laura Davis, 36-43.  New York: Pace Univ. Press, 1999.

*Nelson-McDermott, Catherine.  "Disorderly Conduct:  Parody and Coded Humor in Jacob's Room and The Years."  Woolf Studies Annual 5 (1999):  79-95.

Neverov, Vara.  "Thinking Back Through Our Mothers, Thinking in Common: Virginia Woolf's Photographic Imagination and the Community of Narrators in Jacob's Room, A Room of One's Own, and Three Guineas."  In Virginia Woolf and Communities: Selected Papers from the Eighth Annual Conference on Virginia Woolf, ed. Jeanette McVicker and Laura Davis, 65-90.  New York: Pace Univ. Press, 1999.

*Newman, Hilary.  "Mrs. Stephen in The Mausoleum Book and Mrs. Ramsay in To the Lighthouse."  Virginia Woolf Bulletin 1, no. 2 (1999): 37-41.

Nunez, Sigrid.  "'Why are These Pages Comforting?'"  In Virginia Woolf and Communities: Selected Papers from the Eighth Annual Conference on Virginia Woolf, ed. Jeanette McVicker and Laura Davis, 200-02.  New York: Pace Univ. Press, 1999.

Nussbaum, Martha.  "The Window: Knowledge of Other Minds in Virginia Woolf's To the Lighthouse."  In Sex and Social Justice,355-73.  New York: Oxford Univ. Press, 1999.

*Oxendine, Annette.  "Outing the Outsiders:  Woolf's Exploration of Homophobia in Between the Acts."  Woolf Studies Annual 5 (1999):  115-31.

*Palacios, Manuela.  "The Linguistic Politics of Translation: Translating Woolf into Gallican."  Virginia Woolf Miscellany 54 (Fall 1999): 8-9.

*Peach, Linden.  "No Longer a View: Virginia Woolf in the 1930s and the 1930s in Virginia Woolf."  In Women Writers of the 1930s: Gender, Politics, and History, ed. Maroula Joannou, 192-204.  Edinburgh: Edinburgh Univ. Press, 1999.

Peers, Ros.  "Food Imagery in The Waves."  Virginia Woolf Bulletin 1, no. 2 (1999): 13-17.

Pettigrew, Nita, with Julia Gray and Rebecca Weisser.  "First Encounters: Student Responses to Woolf."  In Virginia Woolf and Communities: Selected Papers from the Eighth Annual Conference on Virginia Woolf, ed. Jeanette McVicker and Laura Davis, 276-82.  New York: Pace Univ. Press, 1999.

*Philippi, Gisela.  "Some Kind of Whole Made Shimmering Fragments: Modernism and the St. Ives Writings of Virginia Woolf."  Virginia Woolf Bulletin 1, no. 2 (1999): 77-79.  (A report on a day-school trip to St. Ives sponsored by the university of Exeter and led by Rosemary Sumner.)

*Pollack, Susan.  "In the Footsteps of Virginia Woolf."  New Age: The Journal for Holistic Living.  May/June 1999.   88-93.

Putzel, Steven.  "Virginia Woolf and 'The Distance of the Stage.'" Women's Studies 28 (1999): 431-66.

Raby, Alister.  "'The Porch,' Cambridge."  Virginia Woolf Bulletin 1, no. 1 (1999): 36-38.

*Reid, Panthea.  "Virginia Woolf, Leslie Stephen, Julia Margaret Cameron, and the Prince of Abyssinia: An Inquiry into Certain Colonialist Representations."  Biography:  An Interdisciplinary Quarterly 22 (1999):  323+.

Richter, Harvena. "A Curious Coincidence." Virginia Woolf Miscellany 53 (Spring 1999): 2. (Compares Orlando and Poe's "Ligeia.")

Rodier, Carole.  "Golden Light and Substance: 'The Prose of the World' in Virginia Woolf's Novels."  Virginia Woolf Bulletin 1, no. 1 (1999): 22-24.

Royer, Diana.  "Remaking Virginia: A Caution for Readers."  In Virginia Woolf and Communities: Selected Papers from the Eighth Annual Conference on Virginia Woolf, ed. Jeanette McVicker and Laura Davis, 187-92.  New York: Pace Univ. Press, 1999.

*Saariluoma, L.  "Virginia Woolf's The Years: Identity and Time in an Anti-family Novel."  Orbis Litteratum 54 (1999): 276-300.  (Turku, Finland.)

Searls, Damion.  "The Timing of Mrs. Dalloway.Women's Studies 28 (1999): 357-62.

*Shi-Jing, Qu.  "How I Became a Woolfian Scholar in China." Virginia Woolf Miscellany 54 (Fall 1999): 8.

Silbergleid, Robin Paula.  "'We Perished, Each Alone': Loss and Lyricism in Woolf, Maso, and Young."  In Virginia Woolf and Communities: Selected Papers from the Eighth Annual Conference on Virginia Woolf, ed. Jeanette McVicker and Laura Davis, 57-64.  New York: Pace Univ. Press, 1999.

Snaith, Anna.  "Virginia Woolf and Reading Communities: Responses to Three Guineas."  In Virginia Woolf and Communities: Selected Papers from the Eighth Annual Conference on Virginia Woolf, ed. Jeanette McVicker and Laura Davis, 219-26.  New York: Pace Univ. Press, 1999.

*Snir, Reuven.  "Virginia Woolf in Arabic Literature: Tranlations, Influence, and Reception."  Virginia Woolf Miscellany 54 (Fall 1999): 6-7.

Sparks, Elisa Kay. "The Dial as Matrix: Periodical Community between Virginia Woolf and Georgia O'Keefe."  In Virginia Woolf and Communities: Selected Papers from the Eighth Annual Conference on Virginia Woolf, ed. Jeanette McVicker and Laura Davis, 251-59.  New York: Pace Univ. Press, 1999.

Stone, Wilfred. "Defoe the Touchstone." Virginia Woolf Miscellany 53 (Spring 1999): 2-3.

Suh, Judy.  "Woolf and the Gendering of Fascism."  In Virginia Woolf and Communities: Selected Papers from the Eighth Annual Conference on Virginia Woolf, ed. Jeanette McVicker and Laura Davis, 141-46.  New York: Pace Univ. Press, 1999.

Sumner, Rosemary.  "An Experiment in Fiction: 'The Thing That Exists When We Aren't There' [Part 1]."  Virginia Woolf Bulletin 1, no. 1 (1999): 17-18.

*___.  "An Experiment in Fiction: 'The Thing that Exists When We Aren't There' [concluded]."  Virginia Woolf Bulletin 1, no. 2 (1999): 22-27.  (This combined with the previous entry form part of a chapter in Sumner's A Route To Modernism, indexed above.)

Trotman, Nat.  "The Burning Between: Androgyny/Photography/Desire." Women's Studies 28 (1999): 375-98.  (Considers A Room of One's Own, among other things.)

*Usui, Masami.  "Who's Afraid of Celebrating Woolf in Japan?" Virginia Woolf Miscellany 54 (Fall 1999): 7.

Villeneuve, Pierre-Eric.  "Communities of Desire: Woolf, Proust, and the Reading Process."  In Virginia Woolf and Communities: Selected Papers from the Eighth Annual Conference on Virginia Woolf, ed. Jeanette McVicker and Laura Davis, 22-28.  New York: Pace Univ. Press, 1999.

*Walker, Thomas D. "The Cover Design."  Library Quarterly 69 (1999): 360-62.  (Examines among other things the use of the pressmark by Leonard and Virginia Woolf.)

*Westling, Louise.  "Virginia Woolf and the Flesh of the World." New Literary History 30 (1999): 855-__.  (Considers "the integration of quantum physics" in Woolf's works, including the influence of Einstein on Woolf.)

Whitworth, Michael.  "Woolf's Web: Telecommunications and Community."  In Virginia Woolf and Communities: Selected Papers from the Eighth Annual Conference on Virginia Woolf, ed. Jeanette McVicker and Laura Davis, 161-67.  New York: Pace Univ. Press, 1999.

Wilkinson, Sheila M.  "Seeds of the Society."  Virginia Woolf Bulletin 1, no. 1 (1999): 5.

*___.  "'Who Lived at Alfoxton'?"  Virginia Woolf Bulletin 1, no. 2 (1999): 48-50.

___. "Virginia Woolf and Her Context."  Virginia Woolf Bulletin 1, no. 1 (1999): 61-62.  (A report on a one-day course held at Rewley House, Oxford, led by Dr. Jem Poster.)

*___.  "Virginia Woolf as the Common Reader."  Virginia Woolf Bulletin 1, no. 2 (1999): 77.  (A report  on a lunchtime celebration of the National Year of Reading at the Natonal Portrait Gallery at which Toba Man read from The Common Reader.)

Wilson, Deborah.  "Between the Arts: Woolf, Pedagogy, and the Persistence of Authority."  In Virginia Woolf and Communities: Selected Papers from the Eighth Annual Conference on Virginia Woolf, ed. Jeanette McVicker and Laura Davis, 109-16.  New York: Pace Univ. Press, 1999.

Zucker, Marilyn.  "Virginia Woolf and the French Connection: A Devotion to Language."  In Virginia Woolf and Communities: Selected Papers from the Eighth Annual Conference on Virginia Woolf, ed. Jeanette McVicker and Laura Davis, 29-35.  New York: Pace Univ. Press, 1999.

Dissertations

*Brewer, Lisa Shaula.  "'Thinking is My Fighting': Tracing the Developing Critique of War and Violence in the Fiction of Virginia Woolf."  Ph.D. diss., Univ. of Oregon, 1999.

*Christensen, Erik C.  "The Imperfect Librarians: Myth and Resistance in Marcel Proust, Johannes V. Jensen, Virginia Woolf, and Jorge Luis Borges."  Ph.D. diss., Univ. of Washington, 1999.

*Koenigsberger, Kurt.  "Imperial Menageries:  Modernism, Totality, and the Domestic English Novel, 1851-1941."  Ph.D. diss.,  Vanderbilt Univ., 1999.

*Lackey, Mi chael.  "Killing God, A Labor of Love: Post-God Intimacy in Nietzsche and Woolf." Ph.D. diss., Univ. of Kentucky, 1999.

*Pines, Davida Beth.  "The Paradox of Marital Failure in James, Ford, Larsen, and Woolf."  Ph.D. diss., Brandeis Univ., 1999.

Master's theses

*Davis, Angella Michele.  "Space Invaders: Memory in the Works of Katherine Mansfield and Virginia Woolf."  M.A. thesis, Univ. of South Carolina, 1999.

*Holler, Karen Lee. "'Give us Also the Right to Our Existence!': Passions between Women: Radclyffe Hall and Virginia Woolf's Diverse Points of Reference."  M.S. thesis, Southern Connecticut State Univ., 1999.

*Kurtz, Jennifer Robin.  "Writing Against the Current: Woolf's Analysis of Social Institutions and Subjectivity."  M.A. thesis, Radford Univ., 1999.

*Libby, Martha. "For Nothing was Simply One Thing": Transformation of Family in Virginia Woolf's To the Lighthouse.  M.A. thesis, Trinity College, 1999.

*Piazzola, Christopher. "'She will be a Poet [...] in another Hundred Years' Time': Virginia Woolf's Orlando as a Quest for Incandescence."  Master's thesis, Univ. of Montana, 1999.

*Ragsdale, Rebecca A.  "Virginia Woolf: The Marriage Relationship in Three Novels, The Voyage Out, Mrs. Dalloway, and To the Lighthouse."   M.A. thesis, Minnesota State Univ., Mankato, 1999.

Undergraduate theses

*Chao, Pearl.  "Regeneration: New Readings of Virginia Woolf's Orlando."  Undergraduate honors thesis, Bucknell Univ., 1999.

*Kaner, Margaret.  "'Incumbent o'er the Surface Past Time': Surfaces and the Temporal Other in Mrs. Dalloway."  Undergraduate honors thesis, Brandeis Univ., 1999.

*Orenstein, Marel B.  "A Capacious Hold All: Virginia Woolf's Diary and Manic-Depressive Illness."  Undergraduate honors thesis, College of William and Mary, 1999.

*Ragland, Karla.  "Memory and Creative Process."  B.A. thesis, Univ. of Northern Colo.  (Treats Woolf, Toni Morrison, and Anna Andreevna Akhmatova.)

*Scott, Pamela Kristin.  "Is Life Very Solid or Very Shifting?' Stasis and Flux in Virginia Woolf's Mrs. Dalloway and To the Lighthouse."  Undergraduate honors thesis, Smith College, 1999.

Reviews

*Allen, Judith.  Review of Virginia Woolf's Renaissance:  Woman Reader or Common Reader? by Juliet Dusinberre.  Woolf Studies Annual 5 (1999):  170-74.

Altman, Meryl.  "The Complexity of Complicity."  Review of Thinking Fascism: Sapphic Modernism and Fascist Modernity, by Erin G. Carlston. Women's Review of Books 16.5 (1999): 8.

Barkway, Stephen.  Review of Granite and Rainbow: The Hidden Life of Virginia Woolf, by Mitchell A. Leaska.  Virginia Woolf Bulletin 1, no. 1 (1999): 48-50.

*___.  Review of Mitz: The Marmoset of Bloomsbury, by Sigrid Nunez. Virginia Woolf Bulletin 1, no. 2 (1999): 69-71.

___.  Review of Orlando, ed. J. H. Stape (Shakespeare Head Press edition, 1998). Virginia Woolf Bulletin 1, no. 1 (1999): 44-45.

*Briggs, Julia.  Review of A Bibliography of Virginia Woolf, 4th ed., by B.J. Kirkpatrick and Stuart N. Clarke.  Review of English Studies 50 (1999): 266-68.

Chamberlain, Kathy. Review of four Bloomsbury Heritage monographs: Charleston, A Voice in the House, by Kathryn N. Benzel, Bloomsbury in Vogue, by Nicola Luckhurst, Raymond Mortimer: A Bloomsbury Voice, by Michael Yoss, and Vanessa Bell--A Life of Painting, by Rachel Tranter. Virginia Woolf Miscellany 53 (Spring 1999): 7.

*Chapman, Wayne K.  Review of A Bibliography of Virginia Woolf, 4th ed., by B.J. Kirkpatrick and Stuart N. Clarke.  Woolf Studies Annual 5 (1999):  161-66.

Channer, Vanessa.  Review of Julia Margaret Cameron's Women, by Sylvia Wolf. Virginia Woolf Bulletin 1, no. 1 (1999): 51-53.

Clarke, Stuart N.  Review of Flush, ed. Kate Flint (Oxford World's Classics). Virginia Woolf Bulletin 1, no. 1 (1999): 46-47.

*___.  Review of Flush, ed. Elizabeth Steele (Shakespeare Head).  Virginia Woolf Bulletin 1, no. 2 (1999): 55-56.

*___.  Review of Who's Afraid of Leonard Woolf? A Case for the Sanity of Virginia Woolf, by Irene Coates.  Virginia Woolf Bulletin 1, no. 2 (1999): 68-69.

*___.  Review of Woolf Studies Annual, vol. 4; and Virgnia Woolf and Her Influences: Selected Papers from the Seventh Annual Conference on Virginia Woolf, Plymouth State College, Plymouth, New Hampshire, June 12-15, 1997Virginia Woolf Bulletin 1, no. 2 (1999): 66-67.

*Cox, Shelley.  Review of Reading Alcoholisms: Theorizing Character and Narrative in Selected Novels of Thomas Hardy, James Joyce, and Virginia
             Woolf, by Jane Lilienfeld.  Library Journal 124 no. 14 (September 1999): 191.

*Dell, Marion.  Review of Women in the Milieu of Leonard and Virginia Woolf: Peace, Politics, and Education, ed. Wayne K. Chapman and Janet M. Manson.  Virginia Woolf Bulletin 1, no. 2 (1999): 61-63.

*Gill, Joanna.  Review of The Feminist Aesthetics of Virginia Woolf: Modernism, Post-Impressionism, and the Politics of the Visual, by Jane Goldman.  Textual Practice 13 (1999): 374-79.

*Gargan, William.  Revies of Bloomsbury and France: Art and Friends, by Mary Ann Caws and Sarah Bird.  Library Journal 124 no. 18 (November 1999): 81.

*Gillespie, Diane F.  Review of The Feminist Aesthetics of Virginia Woolf: Modernism, Post-Impressionism, and the Politics of the Visual, by Jane Goldman.  Modern Fiction Studies 45 (1999):  526-29.

Graves, Mark A.  Review of Virginia Woolf and the Essay, ed. Beth Carole Rosenberg and Jeanne Dubino.  English Literature in Transition 42 (1999): 93-95.

*Hovey, Jaime.  Review of Virginia Woolf's Renaissance: Woman Reader or Common Reader? by Juliet Dusinberre and Virginia Woolf: Lesbian Readings, ed. Eileen Barrett and Patricia Cramer.  Signs: Journal of Women in Culture and Society 25 (1999): 363-__.

*Johnson, Judith.  Review of The Experimental Self:Dialogic Subjectivity in Woolf, Pym, and Brooke-Rose, by Judy Little. Woolf Studies Annual 5 (1999):  143-47.

*Johnson, William.  Review of Virginia Woolf: The Common Ground, by Gillian Beer; and Feminist Destinations and Further Essays on Virginia Woolf, by Rachel Bowlby.  Woolf Studies Annual 5 (1999): __-__.

*Kennard, Jean.  Review of Virginia Woolf, by Hermione Lee. Journal of English and Germanic Philology 98 (1999): 134-35.

Kostkowska, Justyna.  Review of Virginia Woolf: Feminism, Creativity, and the Unconscious, by John R. Maze. English Literature in Transition 42 (1999): 96-99.

*Lee, Hermione.  Review of The Feminist Aesthetics of Virginia Woolf: Modernism, Post-Impressionism and the Politics of the Visual, by Jane Goldman.  Review of English Studies 50, no. 199 (1999): 409-11.

Levenback, Karen L. Review of A Bibliography of Virginia Woolf, 4th ed., by B.J. Kirkpatrick and Stuart N. Clarke. Virginia Woolf Miscellany 53 (Spring 1999): 5-6.

*___.  Review of Women's Fiction and the Great War, ed. Suzanne Raitt and Trudi Tate.  Woolf Studies Annual 5 (1999):  148-52.

*Neverow, Vara.  Review of "Ladies, Please Don't Smash These Windows": Women's Writing, Feminist Consciousness, and Social Change 1918-1938, by Maroula Joannou; and Thinking Fascism: Sapphic Modernism and Fascist Modernity, by Erin G. Carlson.  Woolf Studies Annual 5 (1999):  184-89.

*Payne, W. Douglas.  Review of Virginia Woolf: Lesbian Readings, ed. Eileen Barrett and Patricia Cramer.  College Literature 26 (1999): 200-09.

*Polk, Noel.  Review of Eudora Welty and Virginia Woolf:  Gender, Genre, and Influence, by Suzan Harrison.  Journal of American Studies 33 (1999):  373-74.

*Premo, Diane Gardner.  Review of The Marriage of Heaven and Hell: Manic Depression and the Life of Virginia Woolf, by Peter Dally. Library Journal 124, no. 18 (November 1999): 81.

*Priske, Pamela.  Review of The Feminist Aesthetics of Virginia Woolf: Modernism, Post-Impressionism, and the Politics of the Visual, by Jane Goldman.  Virginia Woolf Bulletin 1, no. 2 (1999): 64-66.

*Ratcliffe, Krista.  Review of Virginia Woolf and the Essay, ed. Beth Carole Rosenberg and Jeanne Dubino.  Woolf Studies Annual 5 (1999):  153-56.

*Rogers, M.  Review of Virginia Woolf, by John Lehman. Library Journal 124 no. 16 (October 1999): 140.

*Rosenberg, Beth.  Review of Reading Virginia Woolf's Essays and Journalism, by Leila Brosnan.  Woolf Studies Annual 5 (1999):  190-92.

*Saxton, Ruth O.  Review of Feminism and the Postmodern Impulse:  Post-World War II Fiction, by Magali Cornier Michael.  Woolf Studies Annual 5 (1999):  167-69.

*Swanson, Diana.  Review of Virginia Woolf:  Lesbian Readings, edited by Eileen Barrett and Patricia Cramer; Sappho and the Virgin Mary:  Same-Sex Love and the English Literary Imagination, by Ruth Vanita; and Lesbian Panic:  Homoeroticism in Modern British Women's Fiction, by Patricia Juliana Smith.  Woolf Studies Annual 5 (1999):  175-83.

Taylor, Leeta.  Review of Virginia Woolf: Reading the Renaissance, ed. Sally Greene. ForeWord 2, no. 4 (April 1999): 49-50.

*Vanita, Ruth.  Review of "Who Lived at Alfoxton?":  Virginia Woolf and English Romanticism, by Ellen Tremper.  Woolf Studies Annual 5 (1999):  157-60.

*Webb, Ruth.  Review of Virginia Woolf's Jacob's Room: The Holograph Draft, ed. Edward L. Bishop.  Virginia Woolf Bulletin 1, no. 2 (1999): 56-61.
 

New publications of texts by Virginia Woolf

Flush.  Ed. Elizabeth Steele.  London: Blackwell [Shakespeare Head], 1999.

*"The Lady in the Looking-Glass: A Reflection."  Harper's Magazine, Nov. 1999:  89+.  (This story, which is included in Susan Dick's Complete Shorter Fiction of Virginia Woolf (new ed. 1989), was first published in Harper's in December 1929.)

Blurbs to the first Hogarth and Harcourt Brace editions of Flush. Virginia Woolf Bulletin 1, no. 2 (1999): 51.  (On the plausible assumption that Woolf herself wrote the blurbs.)

*A brief excerpt from Mrs. Dalloway, under the title "Schizophrenia." Canadian Medical Association Journal 161, no. 8 (1999): 1015.
 

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(Last updated: 02/17/00.)