Pardon my ignorance, but given the Greek love of the visual
(per Carl Conrad) and their evident love of the theatre (given
the plays they have preserved), why do Louw and Nida conclude
that "it would be wrong to assume that PROGRAFW ... refers to
some kind of theatrical demonstration"?
Is there any evidence that early Christians either did or did
not use dramatic presentations of the Gospel?
Regards,
j.v.
James H. Vellenga | jvellenga@viewlogic.com
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