MILLER
EVENTS
Scroll
down
to view Calls for papers, Conferences and panels, Current productions,
and Special
events, as well as links
to archives for
past events.
We
would appreciate it if you could send us any
current information for the following categories to make them as
detailed
as possible; include past, current and future events so that people can
use
this
as an archive. Send information to webmaster
Sue Abbotson. We try to keep only upcoming events on this page--but
you can link in each section to archive pages for information on past
conference papers, productions and events.
N.B. For
information
on
the Arthur Miller Journal--including how to subscribe and
content lists for
previously published isssues, go to the Journal
website.
The
Arthur Miller Theater at the University of Michigan
Calls
For
Papers:
The Arthur Miller Society is always
looking for
anyone
who would like to organize Miller panels at conferences, such as ALA,
SAMLA, NEMLA, CDC, American Studies, ASTR or ATHE--please contact our current
President, Paula Langteau,
with
proposals/details.
Ongoing
CFP:
Arthur Miller Journal
Looking for papers on any aspect of the life and work of Arthur Miller for the Arthur Miller Journal which is published Spring and Fall. Go to the Journal
page for more detail regarding submissions, subscriptions, contact
e-mails for the various editors, and for contents of past volumes. You
can make a submission to the Journal of an essay, performance review,
or book review, as well as offer material for the notes
section--directly at this website.
If a Miller play is being produced in your area (check the listings
below)--please attend and upload your review through the above link
(website).
Hungarian Journal of
English
and
American
Studies published near
the close of 2006 a special Arthur
Miller
Edition: Volume 11, Number 2 (2005): ISSN: 12 18-7364
that contains several new essays on Miller's work--see details in the
archive link below for Special
Events/News/Releases
2007 regarding
how to order yourself a
copy.
The
Journal is meanwhile looking for further submissions: Manuscripts
should conform to the latest edition of the MLA Handbook in all matters
of style (parenthetical citations keyed to a works-cited list).
Contributions
on history should conform to the latest edition of the Chicago Manual
of
Style. All submissions should be sent together with a disk copy of the
article in Word 95 for Windows. All correspondence should be addressed
to the Editor, HJEAS, University of Debrecen, Pf. 73, Hungary 4010;
e-mail: abnagyzo@delfin.unideb.hu
JCDE: Journal of Contemporary Drama in
English, published by De Gruyter
(Berlin/Boston) http://www.degruyter.com/view/j/jcde
A bi-annual, peer-reviewed
journal that focuses on contemporary Anglophone dramatic literature and theatreperformance. It renegotiates the understanding of
contemporary aesthetics of drama and theatre by treating dramatic texts of the last fifty
years, and welcomes essays on the work of Arthur Miller. Essays should be no longer
than 8,000 words (including notes and bibliography) and should be formatted according to MLA style
(7th edition, 2009.
ESSAY CONTRIBUTIONS should be sent
to: Prof. Dr. Martin Middeke, Chair of English
Literature, University of Augsburg, Universitaetsstraße 10, D-86159 Augsburg,
Germany.
EMAIL:
martin.middeke@phil.uni-augsburg.de
SUGGESTIONS FOR REVIEWS should be
sent to: Prof. Dr. Christina Wald, Humboldt Universität zu Berlin,
Philosophische Fakultät II, Institut für Anglistik und
Amerikanistik, Unter den Linden 6, D-10099 Berlin,
Germany.
EMAIL: christina.wald@hu-berlin.de
The
Journal of American Drama and Theatre -- a fully online and
peer-reviewed journal -- is currently seeking submissions for upcoming
issues. If you are working on an article related to theatre and/or
drama of the Americas, consider submitting it to JADT. Full submission
guidelines can be found here, and the current issue (guest-edited by ATDS) can be viewed here. Details of the next ATDS guest-edited and themed issue will be available soon!
CFP and other scholarly opportunities with Deadlines
Deadline is Sept. 18th 2016. If anyone is interested in presenting a
15-20 minute paper on a panel that explores connections between Miller
and O’Neill for the 19-22 July 2017 Eugene O’Neill conference at
National University of Ireland in Galway, Ireland—contact David Palmer.
One-page proposals should include name, academic affiliation, mail and
email addresses, paper title, and detailed abstract. dpalmer@maritime.edu
Comparative Drama Conference
Rollins College
Orlando, Florida
April 6-8, 2017
The Arthur Miller Society
Call for Papers
Once again in 2017, the Arthur Miller Society hopes to have a panel at
the Comparative Drama Conference (CDC). Here is a link to the
conference website:
http://blogs.rollins.edu/drama/
At this point the Society is accepting papers for this conference on
any aspect of Miller’s life and work. The focus for the panel will be
determined by the proposals that are selected.
Please submit proposals of no more than 400 words to David Palmer (dpalmer@maritime.edu)
by November 15 so that they can be reviewed by the Miller Society
selection committee before the conference proposal deadline. Selections
of papers to be included in the Miller Society’s panel proposal to the
CDC will be made by November 30.
The American Literature Association Annual Conference
Boston
May 25-28 2017
The Arthur Miller Society would like to offer two panels. One
will concentrate on how Miller approaches issues of women and gender in
his plays and the other can be an open panel (depending on submissions)
that addresses any other aspect of Miller's work, productions of that
work, or ideas for teaching Miller's work.
Please submit brief proposals of no more than 250 words to Sue Abbotson (sabbotson@ric.edu)
by January 1st 2017 so that they can be reviewed before the conference
proposal deadline. Selections will be made by the close of January.
Theatre Journal is pleased to announce two special issues for 2017: Theatre and the Museum/Cultures of Display (Sept 2017); and Theatre, Performance and Visual Images (Dec 2017): https://www.iftr.org/news/2016/august/theatre-journal-special-issue-calls-for-papers-2017
Below are photographs of Mr.
Miller from the
9th
International Arthur Miller Conference, taken by Dr. Jeffrey Mason,
University
of Oregon.
Conferences
and Panels:
(Link to AMS
conference archive) (Link to ALA archive)
Members,
especially, please make
every effort possible to
attend any conference panels with
papers on Miller and support the continuation of Arthur
Miller scholarship.
The Arthur Miller Centennial
October 16-18, 2015
Sponsored
by the Arthur Miller Society at St. Francis College,
Brooklyn, New York was a great success thanks to all those who
attended. Congratulations to Stephen Marino and St. Francis College for
hosting such a wonderful event. Cambridge University Press has
commissioned a volume of essays from among the presentations given at
the conference, and expect to see other papers printed in future
editions of the Arthur Miller Journal.
|
|
|
Outside the William Inge Theatre
they have
planted a tree for each past
Honoree of the
William Inge Festival
Achievement Award
who has passed on.
|
The tree they planted in
Miller's
memory right outside the
William Inge Theatre in
Independence, Kansas.
|
Here is the plaque at the base
of the tree.
|
Current
Stage Productions
(Link to Archive)
A useful place to check for upcoming productions of plays is the DPS
website, where you can search by the playwright to see which plays
have been licensed through them for production (both professional and
non-professional). The listings below, however, contain more details
and generally more up-to-date information.
If you are looking for a Miller expert to provide a lecture, keynote,
seminar or talkback in conjunction with a production, please contact us and we will try and put
you in touch with any scholars in your area.
Productions During
2017
- The Crucible
13 Oct.-12 Nov. by A Contemporary Theatre (ACT), Washington State
Convention Center, 700 Union St, Seattle, WA. Call (206) 292-7676 or
check the website.
- Broken Glass
14 June-19 July 2017 by Theatre J, Jewish Community Center, 1529 16th
Street NW, Washington DC. Directed by Aaron Posner, with Lise Bruneau,
Kimberly Gilbert, Greg Linington, Paul Morella, and Michele Osherow.
Call 202.777.3210 or check the website.
- Death of a Salesman 2-10 June by Theater 7, in Indiana Theatre, Terre Haute, IN. Directed by Arthur Feinsod. Check the website for more information.
- Death of a Salesman
30 April-20 May by West Yorkshire Playhouse, Playhouse Square, Quarry
Hill, Leeds, West Yorkshire, UK. Directed by Sarah Esdaile, with Marion
Bailey, Sarah Ball, Nick Barber, Russell Bentley,Tomm Coles,
Christopher Ettridge,Tom Hodgkins, Philip Jackson,Poppy Roe, Lex
Shrapnel, Adam Venus and Maya Wasowicz. Set design by Francis O’Connor.
Call 0113 213 7700 or check the website.
- Death of a Salesman 21
April-21 May by Pittsburg Public Theatre, 621 Penn Avenue, Pittsburg,
PA. Directed by Mary B. Robinson, with Andrew Polk. Call 412-316-1600
or check the website.
- The Crucible
24 March-4 April by BYU Arts, in Margetts Theatre, at Brigham Young
University College of Fine Arts and Communications, Provo, UT. Directed
by David Morgan. Call 801.422.4322 or check the website.
- A View from the Bridge
23 Feb.-5 March by Clayton Community Theatre, 6501 Clayton Road, St.
Louis, MO. Directed by Joe Hanrahan. Call 314/721-9228 or check the website.
- The Price previews
16 Feb., opening 16 March-7 May, by The Roundabout Theater
Company, American Airlines Theater, 227 W 42nd St, New York, NY.
Directed by Terry Kinney, with Tony Shalhoub (Walter), John Turturro
(Victor), Jessica Hecht (Esther), and Danny DeVito (Solomon). Call (212) 719-1300 or check the website.
- The Price 29
Jan.-19 Feb. by Triad Stage at Pyrle Theatre, 232 South Elm Street,
Greensboro, North Carolina. Call (336) 272-0160 or check the website.
- The Crucible
21 Jan.-19 Feb. by Actor’s Express, 887 West Marietta St NW J-107,
Atlanta, GA. Directed by Freddie Ashley. Call (404) 607-7469 or check
the website.
- A View from the Bridge
20 Jan.- 12Feb by Riverside Theater, 213 N. Gilbert St., Iowa City, IA.
Directed by Sean Lewis, with Patrick Du Laney and Kristy Hartsgrove
Mooers. Call (319) 338-7672 or check the website.
- All My Sons
4-29 Jan. by Repertory Theatre of St. Louis, 130 Edgar Road, Webster
Groves, MO. Directed by Seth Gordon. Call (314) 968-4925 or check the website.
- A View From The Bridge
27 Dec-15 Jan by FSU/Asolo Conservatory for Actor Training, 5555 North
Tamiami Trail, Sarasota, FL. Call 941.351.8000 / 800.361.8388 or check
the website.
- A View from the Bridge
2 Dec. 2016--8 Jan. 2017 by The Edge Theatre Company, 1560 Teller
Street, (40 West Arts District), Lakewood, CO. Directed by John Ashton,
with Rick Yaconis, Abby Apple Boes, Amelia Corrada, Benjamin Cowhick,
Jon Brown, and Kevin Hart. Call 303-232-0363 or check the website.
Productions During
2016
- A View From The Bridge
27 Dec-15 Jan by FSU/Asolo Conservatory for Actor Training, 5555 North
Tamiami Trail, Sarasota, FL. Call 941.351.8000 / 800.361.8388 or check
the website.
- A View from the Bridge
2 Dec. 2016--8 Jan. 2017 by The Edge Theatre Company, 1560 Teller
Street, (40 West Arts District), Lakewood, CO. Directed by John Ashton,
with Rick Yaconis, Abby Apple Boes, Amelia Corrada, Benjamin
Cowhick, Jon Brown, and Kevin Hart. Call 303-232-0363 or check the website.
- View from a Bridge 18 Nov.-3 Dec. in Eisenhower Theater, Kennedy Center, 2700 F Street, NW Washington DC. A touring production by the Centre Theatre Group of Los Angeles, directed by Ivo van Hove, with Andrus Nichols, and Frederick Weller. Call: (202) 467-4600 or toll free (800) 444-1324 (tickets not yet on sale), or check the website.
- All My Sons 9-12
Nov. by Shropshire Dramatic Company, in Walker Theatre, at Theatre
Severn, Frankwell Quay, Shrewsbury, Shropshire, UK. Directed by
Rosalind Garrard, with Helen Bryant and David Wright. Call 01743 281281
or check the website.
- The Ride Down Mt. Morgan 28 Oct.-6 Nov. by Seneca Community Players, Seneca Falls, NY. Directed by Jamie Bruno. Call 315.568.9364 or check the website.
- All My Sons
28 Oct.-19 Nov. directed by Michael Rudman at Rose Theatre, 24 – 26
High Street, Kingston-Upon-Thames, Surrey, Kent, UK. Call 020 8174 0090
or check the website.
- All My Sons
20 Oct.-6 Nov. by Tred Avon Players (TAP), 300 Oxford Road (Oxford
Community Center), Oxford, MD. Directed by Ed Langrell. Call
410-226-0061 or check the website.
- The Crucible
21-29 Oct. by Menomonie Theater Guild, in Mabel Tainter Center for the
Arts, Menomonie, WI. Directed by Katie Shay. Call 715/231-PLAY (7529)
or check the website.
- All My Sons
14 Oct.-13 Nov. by Elite Theatre Company, 2731 Victoria Ave, Oxnard,
CA. Directed by Brian Robert Harris. Call 805-483-5118 or check the website.
- The Crucible
26 Oct.-13 Nov. by Arkansas Repertory Theatre, 601 Main Street, Little
Rock, AK. Directed by Paul Barnes. Call (501) 378-0405 or check the website.
- All My Sons 7
Oct.-6 Nov. by Pewter Plough Players, at Pewter Plough Playhouse, 824
Main St, Cambria, CA. Directed by Gene Strohl, with Tim Linzey, Joyce
Calderone, Micah Anthes, Libby Parker, Justin Wessel, Janice Peters,
Gabriel Ortiz, Tracy Mayfield, Randall C. Lyon and Rayna Ortiz. Call
805 927-3877 or check the website.
- The Crucible
19 Oct.-6 Nov. by Playmakers Repertory Company at University of North
Carolina, College of Arts and Sciences,
Center for Dramatic Art
,
Chapel Hill, NC. Call 919.962.7529 or check the website.
- The Crucible
27-31 Oct. by Sam Bass Community Theatre, 600 North Lee Street, Round
Rock, TX. Directed by Olin Meadows. Call 512-244-0440 or check the website.
- The Ride Down Mt. Morgan
7-23 Oct. by Oldcastle Theatre Company, 31 Main St., Bennington, VT.
Directed by Eric Peterson, with Nigel Gore, Katrina Ferguson, Hannah
Heller, Richard Howe, and Ana Anderson. Call 802-447-0564 or check the website.
- The Price
28 Sept.-22 Oct. by Jarrott Productions and Trinity Street Players, at
Trinity Street Theatre, Black Box Theatre, 4th floor, First Baptist
Church, 901 Trinity Street, Austin, TX. Directed by Fritz Ketchum, with
Scott Galbreath, Amanda Cooley Davis Wischkaemper, Rick Smith and David
Jarrott. Check the website for more information.
- The Price
8-15 Oct. by Wilmslow Green Room, 85 Chapel Lane, Wilmslow, Cheshire,
UK. Directed by Mark Jephcott, with Ian Tyler, Clare Lewis, Mike
Bullimore, and Martin Pritchard. Set design by Keith Cooney. Call 01625
540933 or check the website
- A View From the Bridge 7
Sept.-16 Oct. by Center Theater Group at Ahmanson Theatre, at Los
Angeles Music Center, 135 N
Grand Ave, Los Angeles, CA. Directed by Ivo van Hove, with Andrus
Nichols, Danny Binstock, Howard W. Overshown, Dave Register, Catherine
Combs, Alex Esola, Thomas Jay Ryan, and Frederick Weller.
Call 213.972.4444 or check the website. This production will then be moving for another exclusive engagement to the Kennedy Center, Washington DC, 18 Nov.-3 Dec.
- Danger Memory! 27
Sept.-15 Oct. by Nearly There Productions, at Theatro Technis, 26
Crowndale Rd, London (NW). Directed by Nathan Osgood, with Julian Bird
and Deborah Javor. Call 0333 666 3366 or check the website, or look on Facebook for more information.
- A View from the Bridge
23 Sept.-8 Oct. by California Repertory Company at California State
University, Long Beach, CA. Directed by Jeff Paul, with Josh Nathan,
Sky Paley, and Kathleen Wilhoite. Call 562 985-5526 or visit the website.
- Death of a Salesman
14-23 Oct. by The Stage Company, in Varsity Theatre, 418 S Illinois
Ave, Carbondale, IL. Directed by Eric Billingsley, with Ryan Patrick,
Jo Ann Hensley, Jeremy Osinga, and Brandyn McGhee. Call (618) 549-3465
(their regular website appears not to be working), but you can check them out on Facebook, and order tickets online from here.
- The Crucible
28 Sept.-16 Oct. at Clarence Brown Theatre’s Carousel Theatre,
University of Tennessee, Knoxville, TN. Directed by Calvin
MacLean, with Grant Goodman, Jenny McKnight, David Brian Alley, Gracie
Belt, Lauren Pennline, Terry Weber, and Roderick Peeples. Scene design
by Ron Keller. The Talk Back with the cast will take place Sunday,
Sept. 9, following the matinee and the Open Captioned performance is
Sunday, Sept. 16 at 2 p.m. A panel discussion about the impact of the
play upon political discussions during its time and today will take
place after the Sunday, Sept. 16, matinee. Call (865) 656-4444 or check
the website.
- Death of a Salesman
15 Sept.-16 Oct. by Yellow Tree Theatre, 320 5th Av. SE., Osseo, MN.
Directed by Craig Johnson, with Patrick Coyle, Jason Peterson, Laura
Esping, and Patrick O'Brien. Set design by Michael Hoover. Call
763-493-8733 or check the website.
- A View from the Bridge,
7-9 Oct., by Workshop Players at Lionel Wendt Theatre, Guildford Cres.,
Colombo. Sri Lanka. Directed by Jerome L. De Silva, with Kanishka
Herat, Dinushka Jayawickreme, Mayanthi De Silva, Lihan Mendis,
Rehan Amaratunga, Joshua Joseph, and Alfieri is split between Dino
Corera and Anuk De Silva. Call +94 11 2 695794, or check the website.
FILM INFORMATION (21st century
developments):
- Filmed in Tehran and directed by Iranian director Asghar Farhadi, starring Shahab Hosseini, Taraneh Alidusti and Iraj Karimi, The Salesman is about an Iranian couple performing Death of a Salesman. This adaptation of Salesman,
written by Asghar Farhadi, was feted at the 2016 Cannes Film Festival,
where Farhadi won a prize for his screenplay. It will also be the Iranian entry for next year's Oscars. The film revolves around
a teacher and his wife, who are attacked at their home in Tehran, and
features a “play within a play," as Death of a Salesman is being performed in a theatre, and its scenes parallel and augment the film’s narrative.
- The new film that Rebecca Miller has written and directed, Maggie’s Plan,
is proving to be a big hit on the festival circuit. Starring Greta
Gerwig, Ethan Hawke and Julianne MooreRelease date: 20 May 2016.
- Signature Theatre's Off-Broadway revival of Incident at Vichy will be featured in the second season of Theater Close-Up
on Thirteen (WNET New York) hosted by actress Blythe Danner. The
production was filmed 16 Dec. 2015 and will be broadcast in spring
2016. It will be the fifth presentation of the second season, which
launched back on 1 Oct. 2015. The broadcast will be made available
online to the tri-state area only for a limited period. Check
Thirteen’s website for scheduling details.
- The Misfits will be re-released in UK cinemas from Friday 12 June, 2015.
- From Thursday 26th March 2015
at 7pm, cinema audiences will have the chance to watch Mark Strong lead
the cast in Ivo Van Hove’s five-star Young Vic production of Arthur
Miller’s A View from the Bridge broadcast from the Wyndham’s Theatre in
London’s West End as part of National Theatre Live. The National
Theatre’s innovative project, NT Live, broadcasts some of the best of
theatre live from the stage to cinemas across the UK and around the
world. More than 1500 screenings are to take place in over 40 countries
with additional encore screenings to be announced. Details of all
screenings can be found at http://ntlive.nationaltheatre.org.uk/
- Lifetime is producing a four-hour miniseries based on J.
Randy Taraborrelli’s book, Marilyn Monroe: The Untold Story. No word
yet on who will play Miller.
- Captured live in
High Definition by DigitalTheatre.com at The Old Vic, London during its
2014 season directed by Yael Farber, with Richard Armitage, The
Crucible is to be screened in 350 cinemas in the U.K. and Ireland Dec.
4 and 7 only, with further worldwide screenings to follow. US venues seem to have fallen through, but keep checking at Cinemalive, and you can also order the production through DigitalTheatre.
- Playing for
Time is released now on Blu-ray; it includes a booklet included
with a new essay from film scholar Teri Ginsberg. Check out this review.
- 23 Oct. 2013, The Museum of Modern Art (MoMA) will be screening
the East Coast premier of Stanley Kramer's newly restored 1951 film
version of Death
of a Salesman as part of To Save and Project: The 11th
MoMA International Festival of Film Preservation at The Museum of
Modern Art, 11 West 53rd Street (between 5th and 6th Avenues), New
York, NY. Call 212-708-9400 or check the website. The World Premiere
screening of was presented by the UCLA Film & Television Archive in
the Billy Wilder Theater on August 9, 2013 as part of film series
entitled, "Champion: The Stanley Kramer Centennial," honoring the late
legendary filmmaker.
- MGM has released The Misfits in
Blu-Ray--a rare occurence for a
black and white movie, however, the disc sadly contains little
additional
material.
- All My
Sons with David Suchet and Zoe Wanamaker, is available from
Digital Theatre as a
downloadable production
(or to stream) for £6.99 at their website,
- Playing for
Time
was finally released on DVD on 7th Sept. 2010. Check here
for details.
- An update on Anthony La Paglia’s A View From The Bridge.
The option rights to this will soon be expiring and La Paglia seems
ready to give up on his plans to film his performance as Eddie Carbone,
although his production team have not completely given up hope that the
rights may be extended.
- A film version
of The Ride Down Mt. Morgan,
directed by
Nicole
Kassell, starring Michael Douglas--though completed, has no plans for
release.
- A film version
of The Man Who Had All the
Luck, directed by Scott
Ellis with screenplay by Rebecca Miller, has also been shelved.
- Rebecca Miller's
The
Private Lives of Pippa Lee, about a woman in Connecticut heading
for a nervous breakdown after her husband leaves her for a younger
woman opened in 2009--several reports on its autobiographical aspects,
with the Alan Arkin character (older man with three marriages under his
belt) being somewhat based on Arthur Miller.
- Charlie
Kaufman’s 2009 movie, Synecdoche,
New York, contained
as
one of its central conceits, a production of Death
of a Salesman,
performed with
a deliberately young cast.
- The Sorcerer's
Apprentice (2010) with Nicholas Cage, features as a character,
an evil witch named Abigail Williams, shown in Puritan dress.
- The
2001 movie, Plain Jane, based on
Miller's novella Homely
Girl, A Life was released in Europe in 2001 under the
title Eden, but is not
available in
the US--the screenplay was not Miller's and there have been many
changes. Reviews were poor--so a US release is unlikely.
Special
Events/News/Releases for 2016-2017 (Link to Archive for
past
years)
Inside the
Arthur Miller Theater at the
University of Michigan in which they produced All My Sons
in October 2015 to mark the Miller Centenary.
- 17
Oct. at 11.30 am Historic Landmarks Preservation Center will hold a
cultural medallion ceremony to honor Miller at his former residence 62
Montague Street, Brooklyn. In attendance are the Chair of the New York
State Council on the Arts, Barbaralee Diamonstein-Spielvogel, the
author Ron Chernow, scholars Stephen Marino, Enoch Brater, director
Gregory Mosher and Suzanne Nossel, Executive Director of PEN America.
All are welcome to attend.
- 17 Oct. Launch of the new Arthur Miller Society website
- 16
Sept. at 8pm (Friday) Brian Dennehy will discuss O'Neill, Miller, and
Beckett at the Sheen Center, 18 Bleecher Street, NYC. An evening of
performance and conversation moderated by Anne Cattaneo. For tickets
call (212) 925-2812 or check their website.
- Temple Anshe Amunim, Pittsfield,
MA will host a four-part Play Analysis series on Tuesdays in July,
beginning July 5, from 10 to 11:30 a.m. The topic is "The Corrupting
Influence of Materialism in Plays by Arthur Miller and David Mamet."
This course will be taught by Dr. Barbara Waldinger of Hofstra
University, Marymount Manhattan College, and Queens College. The cost
for the four-session course is $40 for Temple members and $45 for
non-members; or $15 for any individual session. For more information,
contact the Temple Anshe Amunim office at 413-442-5910 or visit www.ansheamunim.org.
- The Persian version The Price has recently been released by Afraz Publications in Tehran, translated by Jafar Mirzai and Maryam Hosseini. Death of a Salesman, The Crucible and All My Sons are also available in Persian
- 9 Tony nominations for Ivo Van Hove’s 2 Miller revivals (winners were announced 12 June):
View from the Bridge:
Best Revival of a Play (WON); Ivo Van Hove Best director (WON); Mark Strong best
actor; Jan Versweyveld best scenic design; Jan Versweyveld best
lighting design. The Crucible:
Best Revival of a Play; Sophie Okonedo best actress; Bill Camp best
actor in a featured role; Jan Versweyveld best lighting design.
- Death of a Streetcar Named Virginia Woolf: A Parody,
27 April-31 July created by Second City veterans Tim Ryder and Tim
Sniffen, and written by Sniffen for Writers Theatre, at the Gillian
Theatre, 325 Tudor Court, Glencoe, IL. Play combines Death of a Salesman, A Streetcar Named Desire, Glass Menagerie, Our Town, and Who’s Afraid of Virginia Woolf?
Directed by Stuart Carden and Michael Halberstam, with Marc Grapey
(Willy Loman), Jennifer Engstrom, John Hoogenakker, Michael Perez, Sean
Fortunato and Karen Janes Woditsch. Set design by Linda Buchanan. Call
(847) 242-6000 or check the website.
- Idaho
band a.k.a. Belle and wild horse group Wild Love Preserve have
collaborated on a very special project to benefit the preservation of
Idaho’s wild horses with the band’s new single, Mustangs, apparently
inspired by The Misfits.
- Kingdom City
4-14 Feb. by Sheri Wilner by University of Illinois Theatre Department,
in Krannert Center's Studio Theatre, 500 S. Goodwin Ave., Urbana, IL.
Directed by J.W. Morrissette, with Ford Bowers, Jessica Kadish, and
Jordan Gleaves. Built around an attempted production of Miller’s The
Crucible, Wilner gives an articulate voice to both sides of a
controversy that surrounds the staging of the play in an
ultra-conservative high school in the Midwest. Call 333-6280 or check
the website.
- New York Times article on “Arthur Miller’s Brooklyn” by Helene Stapinskijan from 22, 2016.
- Joan Copeland in a rare reading of
her brother's short story "The Performance." The private industry
reading will take place at Manhattan Theatre Club's Creative Center on
Monday, February 1 at 7PM. "The Performance" is part of a collection of
short works from Miller's Presence: Stories (2008).
- The
Arthur Miller Foundation will be celebrating Arthur Miller’s 100th Birthday
with a star-studded, one-night-only performance of Miller’s seminal
works directed by Gregory Mosher.
Originally scheduled for 16 Nov. 2015, this event will now take place
on 25 Jan. 2016. It will take place on the stage of Broadway's Lyceum
Theatre, where Miller's drama A View From the Bridgeis
currently being revived. Emmy winner and Tony nominee Alec Baldwin
will join Pulitzer-winning playwrights Sam Shepard and Tony Kushner,
and performers Bradley Cooper, Laurence Fishburne, LaTanya Richardson Jackson, Ellen
Barkin, Ayad Akhtar, McKinley Belcher, Ray Fisher, Greta Gerwig, Jake
Gyllenhaal, Katori Hall, Peter Sarsgaard and John Turturro for a
special evening of Arthur Miller readings Jan. 25, 2016,
to mark the latter playwright's centennial, according to Variety. The
celebrities are scheduled to read excerpts from Miller's
autobiography Timebends, along with speeches from his plays Death of a Salesman and All My Sons,
as well as unpublished works. Proceeds will go to the Arthur Miller
Foundation for Theater and Film Education, "which aims to provide
mentorship, training and support for new theater teachers and increase
the number of New York City public schools that have access to theater
education."
Recent Books on Miller
(2011--current) Archive
2005-2010
- Coming out in November, 2016, Collected Essays: Arthur Miller (Penguin,
2016), edited by Susan C. W. Abbotson, in which selected essays have
been grouped into subject areas that include general discussions of the
theater (including tragedy), specific plays, and ones relating to
specific socio-political concerns at home and abroad.
- Joshua Polster's Stages of Engagement: US Theatre and Performance 1898-1949 (Routledge, 2016) contains extensive discussions of The Crucible and Death of a Salesman.
- Dorothy Chansky's Kitchen Sink Realisms: Domestic Labor, Dining, and Drama in American Theatre (University of Iowa Press, 2015). As part of their Studies in Theatre History and Culture series. Includes discussion of Death of a Salesman.
- A new Centennial edition of Arthur Miller's Collected Plays edited by Lynn Nottage, from Penguin, October 2015. Contains 18 major full-length plays from The Man Who Had All the Luck to Resurrection Blues. Paperback. Penguin have also reissued most of Miller's plays in single volumes with newly designed covers.
- Arthur Miller features in Peter Dreier’s The 100 Greatest Americans of the 20th Century: A Social Justice Hall of Fame (Nation Books, 2012). In honor of the centennary, Huffington Post printed his commentary on Miller (while sympathetic to Miller, not all of the details given are entirely accurate).
- Matthew Roudané has edited The Collected Essays of Arthur Miller London: Bloomsbury Methuen, 2015 (an amalgamation of all of the essays from Theater Essays and Echoes Down the Corridor organized chronologically with a new introduction).
- The third volume of the Library of America series edited by Tony Kushner: Arthur Miller: Collected Plays 1987-2004: (Library of America #261) from April 2015: from Danger: Memory (1987) to Finishing the Picture (2004). It includes The Ride Down Mt. Morgan, The Last Yankee, Broken Glass, Mr. Peters’ Connections, and Resurrection Blues. Also The Golden Years,
several shorter one-act plays and never-before-published early works
and radio plays; and a selection of Miller’s prose reflections on his
art, including: “On Screenwriting and Language” and “About Theatre
Language.” Hardback. You can now also buy the three volume set.
- Stephen Marino, Arthur Miller's Death of a Salesman / The Crucible: A Reader’s Guide to Essential Criticism will be published by Macmillan/Palgrave in Fall 2015.
- Andrew Sofer. Dark Matter: Invisibility in Drama, Theatre and Performance. Ann Arbor: U of Michigan P, 2013, has a full chapter on Miller (chapter 5), concentrating on The Archbishop’s Ceiling, mapping the changes in Miller’s philosophy from Ibsenian morality (in After the Fall) to Foucaultian issues of power in the later play.
- Kevin Riordan, “Salesman in Abu Dhabi: The Geopathology of Objects.” Modern Drama 57.3 (2014): 409-32. Interesting article that analyzes a production of Salesman
in which certain characters are replaced by inanimate objects, such as
Charlie by a rolling refrigerator door; The Woman, a table fan; and
Happy a black punching bag on a movable frame!
- Richard D. Meyer. Making the Fall.
CreateSpace Independent Publishing Platform, 2013. With the permission
of Kazan, Meyer spent a sabbatical recording what went on during the
first year of the Lincoln Repertory Theater. Included are verbatim
conversations between Miller, Kazan, and the cast of their first
production: After the Fall.
The book also includes never-before-published excerpts from Kazan's
personal notes and letters.
- Intertextuality in
American Drama: Critical Essays on Eugene O'Neill, Susan Glaspell,
Thonton Wilder, Arthur Miller and Other Playwrights. Eds. Drew
Eisenhauer and Brenda Murphy. North Carolina and London: MacFarland,
2013. Contains two new essays on Miller.
- A Student Handbook to
the Plays of Arthur Miller: All
My Sons, Death of a Salesman, The Crucible, A View from the Bridge,
Broken Glass. Ed. Enoch Brater. London: Methuen, Nov. 2013 This
contains notes created for the title plays by an assortment of leading
Miller scholars, but
not the plays themselves.
- Timebends: A Life.
Miller's wonderful 1978 autobiography was reissued
by Grove Press in 2013 as both a paperback and in a Kindle edition.
- Barry Paris, ed. Stella Adler On America's Master Playwrights. New York: Vintage, 2012. Contains two chapters on Miller: Death of a Salesman (325-337) and After the Fall (338-356).